
The world's very first AI-enhanced magnetic tape emulation

With most pro-audio software, the user experience is an afterthought. I inverted this paradigm. The UI design dictated the algorithm design.
While most analogue tape emulation DAW plugins overflow the UI with endlessly tweak-able parameters, every pixel on the Kiss of Shame was designed with the utmost intention. Rather than overwhelming users with technical faculities, I distilled the tape emulation into its most essential, sonically-relevant controls.
The central 'Shame' knob was my north star: A single control that elegantly orchestrates complex interactions between a host of high-fidelity emulative signal processing including drift, wow, flutter, and scrape-flutter. The first + the latter have still never been modeled by any other SW offering in the digital audio domain.
Each algorithm was optimized for zero-latency processing
To optimize perf, only phenomena that enhanced had measure effect on source signal character were modeled
Complex processes mapped to simple, expressive parameters rather than a host of buttons, switches and drop down menus

Complete plugin interface: Design-driven approach where visual elements directly influenced algorithmic development
Through rounds of data + intuition-driven iteration, I consolidated parameters and coordinated interface development with algorithm refinement to achieve a minimal yet powerful feature space.

Early mockups explored either entirely different feature spaces and varying layouts. Via rigorous testing + user feedback, we systematically eliminated redundant controls and consolidated related functions into a largely unified parameter set.
Physical tape reels served as both inspiration and obstacle—the tactile nature in this use case demanded that digital interactions feel equally immediate and intuitive. Each iteration brought us closer to this ideal of transparent control.
Multiple DSP processes mapped to single, actionable controls
Interface changes drove corresponding algorithm optimizations
Each iteration refined the relationship between control importance and visual weight
15+ individual parameters, complex routing matrices
7 essential controls, unified parameter mapping
Debuting at the Audio Engineering Society Convention provided an unprecedented opportunity for grassroots user experience research with the world's most discerning audio professionals.

Running through an early pre-beta build of The Kiss of Shame at my former studio in the W Hollywood Residences - Los Angeles, California
The convention floor became our usability laboratory. Watching Grammy-winning engineers interact with the interface revealed critical insights about professional workflow integration.
The interactive reels, initially conceived as a novel interface element, proved to be the plugin's most compelling feature—engineers immediately understood the tactile metaphor.
Physical interactions translated perfectly to digital interfaces
Animated elements provided crucial processing state information
Single-window design eliminated context switching
The Kiss of Shame was crafted during the laptop recording revolution, when professional audio production was transitioning from dedicated studios to mobile workstations. Every design decision reflected the needs of diverse audio professionals working in varied environments.
Studio & Post-Production
Engineers working in professional studios demanded authentic tape character without the maintenance overhead of physical machines. They needed precise control over degradation characteristics while maintaining zero-latency performance for real-time tracking and mixing.
Design Considerations:
The Laptop Recording Revolution
The 2010s saw an explosion of bedroom producers and home studios powered by laptops. These users needed professional-quality tools that were intuitive enough to use without extensive training, yet powerful enough to compete with commercial releases.
Design Considerations:
Mobile Rigs & Festival Systems
Front-of-house engineers increasingly relied on laptop-based systems for live sound processing. They needed tools that could add character to digital sources in real-time, with interfaces optimized for quick adjustments in high-pressure live environments.
Design Considerations:
Field Recording & Post-Production
Film sound designers and foley artists working on location needed portable solutions that could add vintage character to field recordings. Mobile rigs on laptops required efficient interfaces that maximized limited screen space while maintaining creative flexibility.
Design Considerations:
In 2014, the MacBook Pro 15" was the workhorse of mobile audio production. Field recordists, foley artists, and traveling engineers needed every pixel of screen space for their DAW timeline and mixer views.
The collapsible reel design wasn't just aesthetic—it was a functional necessity. When collapsed, the plugin occupied minimal vertical space, allowing users to stack multiple instances while maintaining visibility of their session. When expanded, the reels provided tactile interaction and visual feedback without overwhelming the workspace.
~180px height - essential controls only
~420px height - full interactive experience
Transition from desktop workstations to laptop-based production became mainstream
Field recording, location mixing, and remote collaboration required portable solutions
15" displays (1440x900 or 1680x1050) demanded efficient UI design
Laptop CPUs required optimized algorithms for real-time processing
While competitors overwhelmed users with cognitively overloading interfaces packed with dozens of parameters, The Kiss of Shame pioneered a reductionist approach where minimal featureset directly informed algorithm development. This wasn't just aesthetic—it was a fundamental UX optimization strategy.
The audio plugin industry in 2014 was obsessed with exactly simulating 19-inch rack hardware, then cramming it into tiny plugin windows with small screen sizes, and finally adding features—mostly secondary add-ons that existed for the sake of existing, adding minimal sonic value. Tenured audio engineers, especially veteran professionals, consistently told me: "I just want a tape sim that I can instantiate on a track or bus and have it already sound good, not a million little parameters to tweak."
Large format facilities had consoles and extensive hardware retrofitted with digital audio computer systems. Screens were secondary, often placed in small, inconvenient, unnatural positions—causing added strain, especially for older engineers who built their careers on tactile, physical equipment.
By employing bleeding-edge human factors research and UX/UI best practices from "big tech" (unprecedented in pro-audio at the time), The Kiss of Shame remedied these engineering obstacles. It was the first high-caliber tape emulation plugin to be truly user-centered, prioritizing accessibility and workflow efficiency over feature bloat.
Skeuomorphic hardware replication → Screen size reduction → Feature addition → Cognitive overload
User needs research → Minimal UI design → Algorithm optimization → Instant gratification

Typical competitor interfaces: Cognitively overloading designs with dozens of parameters, small text, and cluttered layouts that prioritized hardware replication over user experience
Extensive field testing at AES 2014 with professional engineers informed every design decision
Large touch targets, high contrast ratios, and readable typography for aging eyes
Essential controls immediately visible, advanced features accessible but not overwhelming
Minimal UI complexity enabled maximum CPU allocation to audio processing algorithms
Every element's position, size, and visual weight was carefully considered to guide the user's attention through a logical progression of creative decisions.
The interface follows a clear visual hierarchy: the interactive reels command attention at the top, the central 'Shame' control anchors the experience, while supporting parameters maintain their importance without overwhelming.
Color, scale, and positioning work in harmony to create an intuitive flow that mirrors the natural progression of tape processing decisions.
Reels, Shame knob - immediate visual focus
Age, Environment - supporting parameters
I/O trim, blend - workflow essentials
VU meters - processing visualization
Logic Pro X (AU) demonstration showing real-world parameter interaction and workflow integration
Design-driven algorithm development where user experience requirements shaped the fundamental approach to magnetic tape and analog circuitry modeling.
Rather than modeling every aspect of magnetic tape physics, we identified the most musically significant degradation characteristics and built our algorithms around them. The interface dictated which phenomena deserved computational resources.
This selective approach allowed us to achieve authentic tape character while maintaining real-time performance—a critical constraint that shaped every algorithmic decision.

Physical hardware inspiration: The signature pink cross and LED ring that influenced both visual design and algorithmic approach
Each emulated phenomenon was chosen not for technical completeness, but for its contribution to the user's creative workflow and sonic palette.
Modeled as time-varying delay lines with stochastic period fluctuations, controlled by the central Shame parameter for intuitive creative control.
Mechanical speed fluctuations that became sonic signatures of classic recordings, implemented as controlled bleed-through effects.
Expansion and contraction modeling affecting tape tension and speed consistency, visualized through interactive reel animations.
We were pioneers in applying machine learning to account for the vast nonlinearities inherent in magnetic tape and analog circuitry. The AI didn't replace traditional DSP—it enhanced it.
Neural networks learned the complex interactions between multiple degradation factors, allowing single-parameter control of multi-dimensional sonic transformations.
Magnetic domain memory affecting signal reproduction fidelity
Non-linear tape response to varying signal levels and frequencies
Complex relationships between age, environment, and sonic characteristics
The emulation algorithms weren't just technical achievements—they became the foundation for innovative user interaction paradigms.
The physical act of touching spinning reels became a direct manipulation interface for flanging effects. The emulation's delay line parameters responded to gesture velocity and pressure, creating an intuitive connection between physical action and sonic result.
Design Innovation: Real-time visual feedback where reel animation speed directly correlated with flanging intensity, making the invisible audible through motion.
The Hurricane Sandy environment setting transformed technical parameters into narrative elements. Users weren't adjusting abstract values—they were exploring the sonic archaeology of flood-damaged tape, making parameter exploration emotionally engaging.
UX Innovation: Environmental presets that bundled complex parameter relationships into meaningful, story-driven contexts.
First-of-its-kind tape emulation with comprehensive modeling of magnetic particle instability, substrate deformation, and machine learning-driven nonlinearities.
Touch-responsive animated reels for real-time flanging effects, simulating physical tape manipulation.
Hurricane Sandy environment modeling with authentic flood damage effects on magnetic tape characteristics.
Machine learning algorithms account for vast nonlinearities in magnetic tape and analog circuitry.
Drift, wow, flutter, scrape-flutter, print-through, and reel expansion/contraction simulation.
Advanced DSP algorithms and innovative UI design patterns that set new standards for audio plugin development.
The plugin employs sophisticated waveshaping algorithms using hyperbolic tangent functions to generate authentic tape saturation characteristics. Odd harmonics are processed throughtanh(2.0f * x) while even harmonics use tanh(0.272f * abs(x)).
Key Innovation: Real-time harmonic blending with 4kHz low-pass filtering to model high-frequency losses in vintage tape systems.
This groundbreaking feature simulates the sonic effects of tape damaged in Hurricane Sandy's flood waters, including periodic noise bursts, amplitude modulation through pink noise grains, and low-frequency rumble integration.
350ms envelope cycles with triangular bursts and 200ms silence gaps
Pink noise grains with 2kHz LP and 50Hz HP filtering for authentic scratch simulation

The Kiss of Shame's open source release generated significant excitement in the audio development community.
Original Development
Open Source Release
Stars on GitHub
"It's the world's first (and to my knowledge) only tape/analog circuitry emulation plugin that realistically models the effects of magnetic particle instability, lubricant loss, substrate deformation, drift, scrape-flutter, print-through and reel expansion/contraction."— Eros Marcello, Original Developer
Experience the intuitive interface + hear the unique tape emulation that captivated the pro-audio community.
"It's the Greatest Thing Since Sliced Tape"
Comprehensive walkthrough of features and real-world application in professional mixing scenarios.
Rapid demonstration of the interactive reels and tape degradation effects in action.
Community feedback and real-world usage examples from audio professionals.
Technical breakdown of the plugin's innovative features and implementation details.